Christmas Photography Tips and Advice

For Christmas photography tips, or any sort of photography, we want the best results to come from our time and effort. Christmas photography captures special moments, especially when children are involved. In fact, this leads to my first Christmas photography tip:

(1) Focus on the children first. This admittedly is a bias of mine, but Christmas foremost should be a children's holiday. This applies to gift-giving, and also to photography. If you disagree and/or if adults are at the center of your Christmas, fine, that's just my opinion. Just think of ol' Art Linkletter: "Kids Say the Funniest Things." Kids also make the best photo subjects, and regardless, Christmas (like Trix cereal) is for Kids.

Our Top Ten Christmas photography tips are going to relate to the strategy of taking the best photos, not to the type of camera. That's a whole 'nuther topic. In fact, yours truly is not even a shutterbug. My advice comes from working as a local daily newspaper reporter, among some of the best professional photographers, going back to the 1970s when they still used darkrooms, up to today in the digital age. These Christmas photography tips are geared toward how you interact with your subjects, once the camera is chosen and the lighting adjustments are made.

(2) Don't be one of these photographers who is constantly out front and interrupting things, asking people to pose. For your best Christmas photography, be the fly on the wall. Stay in the background and take candid photos of what's happening, photos in which the subjects don't realize you're taking their photos.

(3) A lower angle (shooting "upward" toward the subjects and the scene) often yields better results. Don't hesitate to sprawl on the floor.

(4) In your Christmas photography, look for sequences of events. A photo is just one moment in time and to capture a sequence, many folks nowadays prefer a video camera. Still, there's nothing like a series of photos. For example: (A) Child awaits anxiously for gift-giving to begin. (B) Child receives wrapped gift. ( C ) Child tears wrapping off of gift. (D) Child reacts to gift.

(5) In fact, your sequence of events could begin hours earlier. Child helps decorate tree. Child puts on Christmas outfit. Etc.

(6) Just because you're staying out of the spotlight with your camera, that doesn't mean you can't be persistent. Patience is a virtue in waiting for just the right moment, just the right shot.

(7) Be a minimalist. Don't try to illustrate the whole scene of the Christmas event at once. If it's a party, take turns focusing on individual participants, or no more than two or three in one frame. If your Christmas photography involves a group of carolers, go ahead and photograph the whole group, but also aim for closeups of one caroler, or a small group.

(8) If you still want some posed Christmas photography for the archives, that's fine. Try to do the posing at the conclusion of the shindig, not at the start or during the middle.

(9) For posed photos, try to keep the number of subjects small. Let's imagine the group of Christmas revelers is 20. Go ahead and shoot the group of 20, but keep in mind that with so many folks in there, their faces are going to be the sizes of dimes. Also shoot "subgroups" with three, four, five people.

(10) When people pose in groups, have them put their heads as close together as possible. This may seem like a minor point, but when you see the results, you'll understand. Faces can be 20 percent larger and up close if we eliminate the wasted space between their heads.

SOURCES

Personal experience

http://digital-photography-school.com/16-christmas-photography-tips

http://www.best-family-photography-tips.com/Christmas-pictures.html

http://photography.about.com/od/christmas/Christmas_Photography.htm

Comparing Cinema and Film with Painting, Literature and Other Arts

Film and cinema have always been compared to other types of art such as painting or works or literature. Film writer James Monaco makes a clear distinction between films and “other recording arts” while film critic Manny Farber contrasts this view by saying that film is no different than other representational art. 

In James Monaco’s book How to Read a Film, he compares film and cinema with other types of arts such as photography, painting, literature, theater, and music. Monaco makes the argument that film has combined the works of the older arts and is able to create certain images or impressions due to its technology in which the older arts struggle to measure up. While painting and photography are able to capture one moment in time that can captivate a viewer’s attention, film is a reproduction of many images throughout several scenes in the film. Painting had tried to keep up with motion picture of cinema through Cubism, but as cinema developed newer and better technology, photography and painting were never truly able to capture the concept of motion in the same way film has succeeded. As Monaco states, “In a sense, movies simply fulfill the destiny of painting (44)." Movies have been able to make scenes or images come alive and appeal to the viewer through motion and connecting with real situations and feelings in a way in which painting cannot. 

Monaco also goes on to compare film to the world of literature and the novel. He states that while novels are told through the perspective of authors and films through directors, a film’s image can generate views and opinions different than the original intent of the film director. Novels on the other hand are generally shaped by the words, details, and plot that the author has chosen for the novel or work of literature. In addition, Monaco states, “It would be an absurd task for a novelist to try to describe a scene is as much detail as it is conveyed in cinema” (45). Monaco posits the idea that film and cinema stand above and beyond the traditional representational art forms because of its ability to shape the different arts in various way. For example, painting was shaped by film in that it immersed itself more toward the design of the painting and novels focused more on its unique language. 

Theater is the one traditional art form that Monaco compares most closely with film. Film and theatre share many common attributes like the ability to express emotion and make the viewer react to what they are seeing. However, where theatre is only able to use a couple or only a few different sets for different scenes, film is able to rapidly go from one scene or location to another. In addition, film can capture a scene or action in real life and bring it to the projector for an audience to view. Theater can only recreate a scene that has already occurred. The final traditional art form that Monaco discusses is music. Monaco states that music’s advantage over the other arts is that it has the ability to control time. However, as the technology of cinema has progressed, music has become an essential part of film. Music started out in the silent film by being played with a screen of dialogue on it such as in “Birth of a Nation.” This was used to indicate a rise in the action, suspense, or to portray a certain character as good or bad. As cinema got more advanced, music was integrated into film as the director saw fit. The concepts of melody, harmony, and rhythm are able to be successfully expressed in today’s films. Music throughout a cinematic production is now very common as it is used for sound effects, background music, speech, etc. 

Film critic Manny Farber, on the other hand, treats film like any other art. He categorizes film into termite art and white elephant art. Farber desired and preferred termite art over white elephant art because of termite art’s ability to create a moment in time without glamorizing it (Farber 02). Farber enjoyed looking at film for its simplicity and without dramatizing it. Farber preferred termite art for its ability to allow the viewer to interpret the scene or picture for itself without leaving a certain message; leaving it up to the viewer what he or she wants to take away from the film. He has particular distaste for films he categorizes as “white elephant art.” Farber describes these types of films as ones in which they are impersonal and try to be masterpieces that break away from common films. 

As a critic he treats film as just another art form because it can be categorized into termite art and white elephant art. Film can be like any other art such as a novel, newspaper column, or painting in that it too has the ability to be simple enough to capture the reader or viewer’s attention to be wrapped up in the moment. In addition, elephant art in films and other arts is common because they can both loose sight of the original intent of the art work. They become fixated on too much detail and as Farber calls it, “clogging weight-density-structure polish amalgam associated with self-aggrandizing masterwork” (Farber 02). 

Both film writers and critics James Monaco and Manny Farber write about film and cinema in its relation to the other representational arts. However they each look at film differently. Monaco treats film as a unique art head and shoulders above the traditional representational art forms of the past. By comparing film to the other arts he demonstrates the wide range of possibilities and abilities that film has and how great an impact it can have on a viewer. On the other side of the spectrum, Farber treats film as just another piece of artwork which can be separated into the distinction of white elephant art or termite art. Through this class distinction he is able to separate a truly great film as one of simplistic style and personal from one that tries to be a masterpiece but fails in the process.

The Independent Film Scene in Eugene, Oregon

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The small, but active Independent film scene in Eugene, OR seems to be growing at the same pace as the bustling city itself. Even with a population of fewer than 150,000, Eugene is no stranger to the movies. The block buster comedy “Animal House” was shot at the University of Oregon campus, the Eugene celebration has just started the Best Film Festival to help showcase Oregon’s film industry, and the Bijou Art Cinemas continues to play fresh creative films on a daily basis. More activity is on the way.

The Oregon Screenwriters Group calls Eugene their home and meets at Eweb every month to share creative film works and help each other. Many of their members are film and television industry professionals who can offer invaluable help to newcomers. Their membership is free and open to anyone from writers, actors, actresses, filmmakers, producer, directors, camera folk, grips, to “Shakespeare’s ghost”. They are even working on organizing another Eugene Film Festival. Meetings are held the last Sunday of each month from 6-8pm and always at EWEB address: 500 East 4th Avenue Eugene. The Eugene Film Festival planning meetings are every other Thursday at 8:30 at EWEB, beginning Sept. 8th. Get involved!

The Eugene Celebration in 2005 will kick off the first annual Best of the Best Film Festival at the McDonald Theatre, 1010 Willamette St., in downtown Eugene. It’s goal is to showcase Oregon’s booming independent film industry and shed light on other exciting Oregon film festivals. Many different film genres and styles from animated shorts to full length features will be presented. The website to check out to stay up on all the latest happenings in independent film throughout Eugene would be the Eugene Indie. Other publication which would include festival information and screening would include the Eugene weekly, See the resources section for their websites and contact information.

If you want see the latest independent films all year round check out the Bijou Art Cinemas, an independent movie theater located between Mill and Ferry Streets, four blocks west of the University of Oregon campus. The “Spanish Mission” style building has been around since 1925, when it was designed by the first dean of of the U of O school of architecture. Besides showing film daily the Bijous is available for private movie screenings or celebrations. It has also been known to support local productions.

Choosing the Sex of Your Baby

boston celtics baby clothes

The topic of choosing the sex of your baby has been of interest to many people. I myself have been interested in conceiving a boy. To learn more on this topic, I  read the book "How to Choose the Sex of Your Baby" by Landrum B. Shettles.  This book was informative and very easy to understand.   Because of the success I have attained from this book, I have decided that a review of this book shall be in order to help others in my situation.

People have various reasons for wanting to have a child of a certain sex.  There can be medical or genetic reasons.  Or, some people may have had several girls and would now like to have a boy.  Whatever the reasons are,  Dr. Landrum B.  Shettles describes how to do so in this book.

This book begins by describing several medical aspects.  First, there are two types of sperm.  The "y" sperm which conceives a boy, and the "x" sperm which conceives a girl.  Y sperm is very fast swimming, but small and weak.  X sperm is slow swimming, but much larger and stronger.  

Dr. Shettles describes timing is the key. If you wish to conceive a boy, you must try to conceive within 2 days of ovulation.  This is because the egg will already be present so that the fast swimming y sperm can get to it faster.  But if you want a girl, you should have intercourse as much as 5 days before ovulation.  This is because the y sperm is weak and would have died off before the egg is present.  But the strong, slow swimming x sperm can survive this long.

Dr. Shettles then describes how to chart your ovulation schedule and recommends doing this for several months before conception.  Dr. Shettles also goes over several other means of adding to the success of conceiving the sex of your choosing.  This includes basal body temperature, what types of clothing to wear, and something you can consume to help at your task.  To find out what that is, you're just going to have to read the book!  

The book also has a large section depicting why some people just can't have a child of a certain sex.  You must read the book to learn if you fall into any of these categories.  There is an awful lot of things that many people are not aware of.

This book was probably the most informative book I have ever read.  And, I must say, it worked for me!  I was so happy with my results, that I lent out the book to several of my friends who also obtained the results they wanted.  Please be forewarned that you really must read this book before you attempt it.  All of the information contained within it has been medically proven.  There is so much you can learn from it.  i recommend it to anyone who has an interest in this topic.  I give it my highest ratings.  

You can purchase "How to Choose the Sex of Your Baby" by Landrum B. Shettles at any retail bookstore for $13.95